Eoghan O'Neill

*** Edit, February 2011 - if you're thinking about going to the 2011 One-on-One Festival, you might not want to read this, because it...

Carmen Funebre  (Teatr Biuro Podrozy; National Theatre) ***** I saw Carmen Funebre  in 1995 in a school playground as part of the Edinbur...

A few more shows that have come to my attention over the last couple of weeks in the 2010 Fringe: Metamorphosis (Belt Up) - C Soco Beauti...

*** Edit, February 2011 - if you're thinking about going to the 2011 One-on-One Festival, you might not want to read this, because it...

I actually wrote the following review of Ontroerend Goed's The Smile Off Your Face  three years ago, when I saw it in Edinburgh, at ...

The Misanthrope,  Comedy Theatre  **** Damian Lewis is excellent as protaganist and main character Alceste: at once ebullient, volatile, bel...

When I was about eleven I had a little daydream that if I died and by some miracle got an invite upstairs, that I'd be told I could do o...

I wrote a piece on the SML blog today about ways in which police forces are using, and can use, social media. Until I dug around today I wa...

The Fringe programme launch is one of my most eagerly anticipated days of the year - although I'll be no clearer to actually knowing wha...

I'm not going to bother with lengthy film reviews on this blog (if you want great film reviews let me plug my mate Ben's blog  which...

The majority of books I've ever read on branding are mostly vacuous bullshit. Top of the pile for guff to substance ratio is possibly Ke...

First things first - I'm getting sick of writing about nothing but politics on here recently, but it is  an exciting time at the moment ...